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Accomodating Nature: The Photographs of Frank Gohlke




Accommodating nature the photographs of frank gohlke

Accommodating nature the photographs of frank gohlke


Helens, the photographs unearth the ways in which new homes and lives emerge from the fragments of the old. Thought-provoking essays by Rebecca Solnit, Frank Gohlke, and John Rohrbach expand upon the issues raised by the images, contemplating the complexities of human and cultural geography and the relationships we have with our respective place. Wind, water, and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. Whether photographing his hometown of Wichita Falls, Texas; the grain elevators that punctuate the vast spaces of the Midwest; the effect of the volcanic eruption of Mount St. Helens in Washington; or the neighborhoods of Queens, NY, Gohlke deftly captures the tension between humanity and the natural world, exploring how people adapt to the forces of nature both great and small, even within the confines of their own backyards. Frank Golhke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective collection of his work by John Rohrbach reveals how people carve out their living spaces in the face of constant natural disruption. Rather than celebrating uninhabited landscapes or avoiding evidence of human intrusions, Gohlke's photographs reflect how people interact with an environment that can never be fully controlled. An acclaimed master of landscape photography, Golhke explores in Accommodating Nature how people configure the places where they live, work, and commune, both on an everyday level and in the aftermath of catastrophic destruction. This retrospective exhibition, which captures Gohlke's longstanding fascination with nature's proclivities for growth, destruction and unexpected change, features 79 photographs—both black-and-white and color prints—spanning the artist's career from the early s through The Bernie Stadiem Endowment Fund provided additional support for the exhibition. The exhibition was organized by John Rohrbach, senior curator of photographs at the Amon Carter Museum in Fort Worth, Texas; Toby Jurovics, curator for photography, is the coordinating curator in Washington. Whether a ranch house anchored fast on an endless Texas plain, the shattered buildings and whipped trees left by a category 5 tornado, or the jagged cliffs of ash and rock created by the volcanic eruption of Mount St.

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Accommodating nature the photographs of frank gohlke. Accommodating Nature: The Photographs of Frank Gohlke.

Accommodating nature the photographs of frank gohlke


Helens, the photographs unearth the ways in which new homes and lives emerge from the fragments of the old. Thought-provoking essays by Rebecca Solnit, Frank Gohlke, and John Rohrbach expand upon the issues raised by the images, contemplating the complexities of human and cultural geography and the relationships we have with our respective place. Wind, water, and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. Whether photographing his hometown of Wichita Falls, Texas; the grain elevators that punctuate the vast spaces of the Midwest; the effect of the volcanic eruption of Mount St. Helens in Washington; or the neighborhoods of Queens, NY, Gohlke deftly captures the tension between humanity and the natural world, exploring how people adapt to the forces of nature both great and small, even within the confines of their own backyards. Frank Golhke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective collection of his work by John Rohrbach reveals how people carve out their living spaces in the face of constant natural disruption. Rather than celebrating uninhabited landscapes or avoiding evidence of human intrusions, Gohlke's photographs reflect how people interact with an environment that can never be fully controlled. An acclaimed master of landscape photography, Golhke explores in Accommodating Nature how people configure the places where they live, work, and commune, both on an everyday level and in the aftermath of catastrophic destruction. This retrospective exhibition, which captures Gohlke's longstanding fascination with nature's proclivities for growth, destruction and unexpected change, features 79 photographs—both black-and-white and color prints—spanning the artist's career from the early s through The Bernie Stadiem Endowment Fund provided additional support for the exhibition. The exhibition was organized by John Rohrbach, senior curator of photographs at the Amon Carter Museum in Fort Worth, Texas; Toby Jurovics, curator for photography, is the coordinating curator in Washington. Whether a ranch house anchored fast on an endless Texas plain, the shattered buildings and whipped trees left by a category 5 tornado, or the jagged cliffs of ash and rock created by the volcanic eruption of Mount St.

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